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| "Swam Mollen" <bigboobs_linda@lycos.co.uk> wrote in message news:1150907522.632619.182620@y41g2000cwy.googlegr oups.com... > > Fifth Element: > " But, unfortunately, the big problem here is still the softness. This > transfer is just not that sharp, at least compared to the best HD I've > seen. The print is also a bit dirty in spots, which really surprised > me. This all gives the image a flatter look that I'm used to on HD -- > what I expected would be eye-poppingly three-dimensional throughout > just plain isn't. Oftentimes, I felt like I was watching a standard DVD > upconverted to 1080i -- good, but kinda fake-looking. Indeed, when I > compared the Blu-ray version of 'The Fifth Element' to the Superbit > upconverted (both via my Samsung BD-P1000 Blu-ray deck), the difference > was not as apparent as between most of the the HD DVD and DVD releases > I've seen. Still, complaints aside, 'The Fifth Element' does look very > good, and this is hardly a bad transfer. It just is not the best that > Blu-ray has to offer." > > xXx > "While 'xXx' does look okay on Blu-ray, it still suffers from some > noticeable image quality problems that, quite frankly, I just didn't > expect from a format that has been has highly touted as this one." > > "Maybe I'm becoming too nitpicky, but consumers are being asked to > shell out a lot of money for these new next-gen high-def formats, so we > reviewers have to be critical. 'xXx' just doesn't look good enough, > especially coming on the heels of a successful first two months for HD > DVD, which has seen a solid slate of discs, most with generally strong > transfers." > > "So, what gives? Admittedly, I can't really rip the Blu-ray format just > yet, because this is only the third title I've reviewed. Plus, they've > all come from the same studio. So I can only theorize. One, Sony is > currently using only single-layer 25GB Blu-ray discs for their first > releases (the format does support 50GB dual-layer discs as well, which > could certainly positively affect video quality). Sony is also using > plain old MPEG2 compression (versus HD DVD, which employs VC-1). Now, > I'm not an expert, but I have to wonder if some of the problems I've > seen on these first three DVD releases (the stairstepping, the noise, > the overall lack of apparent detail) doesn't somehow have to do with > the use of storage-challenged single-layer discs and MPEG2 > compression." > > Underworld Evolution > "My second gripe is that I still noticed some film grain in the > transfer (or perhaps video noise, as the two can be hard to distinguish > between). Again, the darkest scenes were the worst, with the picture > appearing unstable and a tad fuzzy. I don't know if this is due to the > fact that Sony is going with 25GB single-layer discs and MPEG2 > compression for its initial Blu-ray offerings, but whatever the cause, > these problems keep 'Evolution' from hitting a true home run. Still, > this is the best-looking Blu-ray title I've seen yet." > > Crash: > "However, the quality is never consistent. Black levels are wobbly -- > some scenes look great, others a bit washed out, and shadow delineation > can suffer in some of the more overexposed shots. Softness is also a > problem -- the film just doesn't look that sharp most of the time, and > some post-production digital tweaking appears to have been applied to > jack up the picture. The result is some readily apparent grain and > noise, and colors that look plugged up. Though the hues are generally > well saturated, they can also look just as blurry. " > > "Final Thoughts > > Unfortunately, I'm a member of the 'Crash' haters club. Granted, I > didn't despise the film as much this second time I watched it, but I > also don't feel it deserved the acclaim it received (and certainly not > a Best Picture Oscar). But the film has its fans, so enjoy. However, > this initial Blu-ray release from Lionsgate is a disappointment. The > transfer and soundtrack are fine given the limited source material, but > the lack of extras is really lame. I hope the Blu-ray camp gets it > together soon and realizes you gotta give us more than just a new > transfer -- we want all the bells and whistles, or at least a > supplemental package comparable to the standard DVD release. As is, > this disc is a tough recommend given its premium $39.95 list price. " > > > And for HD-DVD: > > Chronicles of Rid**** > " > Notch up another winner for HD DVD. I've seen many great transfers in > the month since the format launched, and 'Chronicles of Rid****' > certainly ranks up there with the best of them. I don't know if this is > in fact the greatest piece of demo material available today, but it is > as good of a candidate as any of the HD DVD discs released so far for > such a lofty label." > > "Sharpness is also as good as it gets, with no softness to speak of > even during the film's extensive CGI sequences. Colors are also very > bold, rich and smooth, with no apparent noise or inconsistencies. " > > 16 Blocks: > "16 Blocks' looks quite lovely on HD DVD. Presented in its original > 2.40:1 theatrical aspect ratio, the image is very natural, rich and > detailed. Though a tad bit stylized, this transfer still retains a very > realistic appearance. " > > Phantom of the Opera: 2004 > "My surprise enjoyment of 'Phantom of the Opera' continued with the > film's impressive picture. I would even venture to say that of all the > initial HD-DVD titles I have reviewed thus far, 'Phantom' has produced > some of the most striking images. I don't know if I've ever described a > video transfer as "delicate" before, but that is exactly the trick > 'Phantom' pulls off here, perfectly straddling the line between > technical razzle-dazzle and a realistic video image. > > A lavish, sumptuously-mounted film, 'Phantom' is certainly overflowing > with color, texture and subtle lighting, which quite frankly got lost > even on the fine-looking standard DVD released last year. But not here. > Quite frankly, my direct comparison between the HD-DVD and standard > DVDs of 'Phantom' was no contest -- the HD-DVD blew it out of the > water. On a good home theater setup, it is would be hard for anyone to > say HD-DVD doesn't offer a considerable improvement over standard DVD, > at least with 'Phantom' as your demo material. > > Based on the usual approach to transfers of films such as this in the > past, I expected 'Phantom's vibrant reds, oranges and midnight blues to > be pumped up to oblivion, with all the characters looking not so much > as they have been lit with light, but painted with day-glo colors. > Instead, I was pleasantly surprised by how much detail there on the > HD-DVD transfer. From the fine textures of the actor's skin in close-up > to the most minute costume design details, I was often blown away by > how terrific the image looked. Depth is incredibly three-dimensional in > just about every scene, so much so that I'd say there are select shots > here that rival the best video I've ever seen on any consumer format. > > What also pushes 'Phantom' into the realm of true HD demo material is > that, unlike Warner's other initial HD-DVD launch title, 'The Last > Samurai,' it is almost completely lacking in film grain. As good as > 'Samurai' looks, it was shot using the Super 35 process, which produces > a bit of grain in the image, which often comes across as noise on > video. But 'Phantom's images are so smooth and free of any apparent > imperfections that I almost couldn't believe it wasn't some new sort of > CGI enhancement. (Maybe it is?) But however they did it, this film > looks absolutely smashing, and is certainly worth watching just to see > how good a HD-DVD disc can look." > > So it looks like, so far, HD-DVD wins in both value and quality against > Blu-Ray. > > Shame, Bliggy was so happy. So blu-ray is the "Halo killer" of movie formats. | |||
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